Often in Master Chorus Eastside concerts I incorporate a
few sing alongs. We included a couple in
our Simply Gershwin concert last
weekend, and sing alongs play an especially strong role in our All-American
Independence Celebration concerts just before the 4th of July. We’ve done this for years, and sometimes I am
asked why. After all, it’s quite unusual
for sing alongs to be a part of a choral concert.
There are several reasons for inviting our audience to join
us in communal singing, but I recently read an article in the April edition of Choral Journal that crystallized one
particular aspect of this issue. The
article, Exploring Communal Song and
Memory Through Historical Hymnody, asks: “Are we losing a culture of song?”
It’s a good question to ask.
There have been times and places in American history when
communal singing was much more prevalent: in churches, schools, during
Christmas, at revival meetings, frontier gatherings, parlors, any place where
people met together to share work or worship or education or fun. Tin Pan Alley for example, the training
ground for George Gershwin and the source for the sing alongs in our concert, produced
sheet music for amateurs to sing and play in their homes. And sing them America did; an entire body of
work was fostered that we Americans knew and sang together as a people, not
just via Tin Pan Alley, but through churches (even the racially divided
American church sang many of the same hymns) and schools as well.
These songs and hymns still exist today, but I fear they
are fading. The article mentions an
eight-year-old girl who knows shocking pop-song lyrics but doesn’t know Silent Night. Music making has become increasingly
electronic, concertized, media-driven, powered by amplifiers, and microphone
oriented. More and more we sit and
listen as others make music. We have a wealth
of music at our finger tips, we can download almost any song we want, but…but…but…
what are we losing? A phrase surfaced in
this article, a chapter title from a book (by Gabe Huck) that really grabbed my
attention: Surrounded by Music, Robbed of Song.
Robbed of song; it’s a disturbing thought. Is it true?
I don’t know for sure, but I hope not.
At our Independence shows we invite the audience to join us in songs
such as Yankee Doodle, I’ve Been Working
on the Railroad, Skip to My Lou, This Land is Your Land, and the audience
always responds heartily. At our
Gershwin concert nearly everyone sang our Tin Pan Alley picks.
Perhaps all is not lost yet. As long as we are singing together, there is
hope. So join in with the great Al
Jolson and sing the Tin Pan Alley hit, By
the Light of the Silvery Moon! And
invite your family to sing too!
Dr. Linda Gingrich
Artistic director and conductor
Master Chorus Eastside
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