I’ve taken an extended break from Master Chorus
Eastside’s blog in order to replenish my creative juices. Now that they are replenished I’m taking
pen—er, computer—in hand because it’s MCE’s 25th-anniversary season,
our season theme is “Where we’ve been, where we’re going,” and we’re kicking off
the “Where we’ve been” side with a reprise of one of my favorite concerts from
years past, A Choral Christmas Carol.
No, not exactly A
Christmas Carol, although Charles Dickens’s tale is at the heart of the
concept.
I got the idea many years ago when I saw an adaptation of
Dylan Thomas’s A Child’s Christmas in
Wales put on by a chorus as part of their December concert. They brought in an actor to read the poem,
sprinkled Christmas carols throughout at appropriate moments, and sometimes
even provided sound effects. I was
enchanted, and immediately thought of Dickens’s A Christmas Carol and wondered if I could do something similar. I’ve long been a Dickens fan and knew it
well, but this would be something different and challenging. It would require cutting the story down to
make room for music, and yet keeping the thread of the tale intact. So, over the months that followed, I pulled
out my copy and marked it...and marked it...and marked it, excising parts, fitting
pieces together, until I had the bare bones of the story in my hands.
And it was amazing how often different carols sprang to mind
as I worked. I seldom had to search for
one. It was as if the story cried out
for carols to make it complete. I jotted
titles down in the margins, and slowly a concept began to form. This would be a
combination of two art forms, choral concert and readers theater. I have always loved readers theater because it
leaves so much to the imagination. There
are no sets, just actors on stools reading their scripts, reacting to one
another just as they would in a fully staged production. It was up to my imagination to fill in the
blanks.
And since I’m a choral conductor, choral music is one of
my reasons for being!
For my A Choral Christmas Carol I would need
a Narrator, who would read aloud as if to his family, and
Scrooge of course.
They would need to be fine actors since they carried half
of the show. But smaller roles, such as
the Cratchit family or the Ghosts, could be played by chorus members who would
move in and out of the chorus and into the scenes as needed. And the chorus itself would be an actor in
the drama, commenting on, enhancing, expanding or shedding light on the story
through the music.
And it worked!
We’ve performed this piece maybe three or four times over the years. It is indeed “where we’ve been,” but it’s also
“where we’re going”—stimulating the imagination, exploring, bringing joy
through music and artistry. I’m really looking forward to doing so again with
this production. It’s really magical.
Dr. Linda Gingrich
Artistic director and conductor
Master Chorus Eastside
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